Screen vision of a public funeral ritual before and after the revolution

The subject of research in this work is the so-called "funeral" documentaries, the creation of which was initiated before the revolution. At all times, they carried an important informational and semantic load. They fixed the authority of the deceased in the eyes of the mass public. There were public and private funerals. The ritual was canonical in nature, which was first resonantly violated during the funeral of Leo Nikolaevich Tolstoy, as evidenced by the preserved films. The article examines the features and modification of "funeral" films over time. They underwent a radical transformation with the advent of modern times after the February revolution of 1917 and the Bolsheviks came to power. A new funeral ritual with its own peculiarities and new meanings has been established on the cinema screen. The methodological basis of the research is a system analysis. The work used a cultural-historical method and an art historical analysis of preserved films and film materials. The novelty of this study is due to the fact that it has now become possible to use not only the most general impressions in the analysis, but to take a closer look and describe in sufficient detail the films and film documents being studied. This allows you to avoid annoying mistakes and inaccuracies in understanding and interpreting what you see. And it also reinforces the role of visual evidence in understanding history. This article is devoted to an overview of how the paradigm of the funeral ritual vision has changed since pre-revolutionary times during the transition to a new world after the 1917 revolution, as well as to the identification of meanings. Her conclusions are connected with a fundamental change in the main idea of the funeral ceremony – from saying goodbye to the deceased before sending him on a long journey, a transition was made to the idea of sacrifice and swearing an oath to continue the struggle for a bright future. The results of the research can be useful to professional documentary filmmakers, archivists and can be used in practical work and in training courses.

Film, funeral, Anastasia Vyaltseva, Leo Tolstoy, Lenin, The ceremony, victim, The ritual, The Field of Mars, revolution