LITERATURE STUDIES

期	标题	文件
卷 5, 编号 2 (2025)	Perspectivism in the scientific views of N.T. Rymar: the ethical and aesthetic vector of a creative individual	(Rus)
Viktorov I., Garbuzinskaya Y.
卷 5, 编号 2 (2025)	Sociocultural space in V. Nabokov’s novel "Camera Obscura"	(Rus)
Mastepak T., Poleva E.
卷 5, 编号 2 (2025)	The kind of sound remarks in Leonhard Frank’s play "Male Quartet"	(Rus)
Morozov D.
卷 5, 编号 2 (2025)	Formation of Ian McEwan’s artistic perspectivism	(Rus)
Rozanov M.
卷 5, 编号 2 (2025)	Picturesque ekphrasis in the subjective structure of the lyrical cycle of S. Gandlevsky	(Rus)
Abramovskikh E.
卷 5, 编号 1 (2025)	“Klio-72” as a personalization of intergenerational memory in Yu.V. Trifonov’s novel “Impatience”	(Rus)
Sergeeva E., Sundukova K.
卷 5, 编号 1 (2025)	Cultural identity B.Yu. Poplavsky: between symbolism and surrealism	(Rus)
Simakova V.
卷 5, 编号 1 (2025)	"If the age aspires to the abyss, it is better to get behind it" – the biblical text in the novel by B.A. Sadovsky "The Sixth Hour"	(Rus)
Kislova N.
卷 5, 编号 1 (2025)	Formation of female identity in M. Shkapskaya's poetic practice (based on the collection "Mater Dolorosa")	(Rus)
Razukhina K.
卷 5, 编号 1 (2025)	The musical paradigm of contemporary Russian prose	(Rus)
Nekrasova I.
卷 4, 编号 4 (2024)	Some aspects of extraterrestrial life in science fiction	(Eng)
Zalomkina G.
卷 4, 编号 4 (2024)	Intertextuality in the book by Pavel Ulitin "Makarov scratches the back of his head"	(Rus)
Kiriakova E.
卷 4, 编号 4 (2024)	Artificial laughter: V. Pelevin’s "iPhuck 10"	(Rus)
Alqaisi R.
卷 4, 编号 4 (2024)	Toponyms as a way of organizing artistic space in the novel by Georgy Venus "Finches in Armor"	(Rus)
Pirogova T.
卷 4, 编号 3 (2024)	The mass person and their speech roles of a simpleton, a buffoon, a mentor in the Russian prose of the 1920s	(Rus)
Golubkov S.
卷 4, 编号 3 (2024)	The peculiarity of Pushkin-related texts in modern Russian literature	(Rus)
Nekrasova I., Ustimenko А.
卷 4, 编号 3 (2024)	The category of Nothingness as a factor in the aesthetics and poetics of modernist literature	(Rus)
Zhitko R.
卷 4, 编号 3 (2024)	The category of observer in the works of M.M. Bakhtin and the U. Eco`s novel «The Name of the Rose»	(Rus)
Makhov D.
卷 4, 编号 2 (2024)	The "Indian Paradox" in theWorks of I.A. Bunin	(Rus)
Karpenko G., Mishra P.
卷 4, 编号 2 (2024)	Semiotics of Self-identification in the 1930s Ego-documents (the Example of Isabella Grinevskaya’s Archive)	(Rus)
Sarycheva C.
卷 4, 编号 2 (2024)	The Poetics of the Ecstatic Within the Boundaries of the Novel: "The Secret History" by D. Tartt	(Rus)
Aleksandrova A.
卷 4, 编号 2 (2024)	Correspondence of M. Gorky with Samara Children and Teenagers	(Rus)
Kudrina E.
卷 4, 编号 1 (2024)	The rainbow as a "sign of the covenant" in I.A. Bunin's spiritual lyrics: semiotics of the sacred. Article 2. "The arch of the rainbow – the Creator's favor...", "Two rainbows – and a golden, rare Spring rain"	(Rus)
Karpenko G.
卷 4, 编号 1 (2024)	Elements of decorative prose in the novel by Alexander Sobolev “Griffins guard the lyre”	(Rus)
Pozdnyakov K., Kvetkin P.
卷 4, 编号 1 (2024)	The celestial ferry: Elena Shvarts’s ekphrasis as the sum of readerly experience	(Rus)
Markov A., Bratina O.
卷 4, 编号 1 (2024)	A novel in verse: poetics of intermediate form	(Rus)
Zhuravleva О.
卷 3, 编号 4 (2023)	Semiotics of V. Nabokov’s artistic language in the light of N. Goodman’s theory of symbolization	(Rus)
Shevchenkp E., Gerchenova D.
卷 3, 编号 4 (2023)	The role of urban space in А. Ilichevsky's novel "Newton's drawing"	(Rus)
Tutelova L., Sidorenko L.
卷 3, 编号 4 (2023)	Samara space in Dina Rubina's novel «Petrushka's syndrome»	(Rus)
Levina P., Perepelkin M.
卷 3, 编号 4 (2023)	Rainbow as a covenant in I.A. Bunin's spiritual lyrics: semiotics of the sacred. Article 1. Introduction to the problem. Sacred in the works of I.A. Bunin	(Rus)
Karpenko G.
卷 3, 编号 4 (2023)	The phenomenon of creative self-reflection and the problem of creating a biography of the writer	(Rus)
Golubkov S.
卷 3, 编号 3 (2023)	The modernity artistic metanarrative and the 19th century novel structure	(Rus)
Rymar N.
卷 3, 编号 3 (2023)	Statement authenticity and “sign functioning” in communication between “deaf-blind and regular persons” (based on O. Skorokhodova’s works)	(Rus)
Nechaeva E.
卷 3, 编号 2 (2023)	Volga text: streaming down to definition	(Rus)
Morozova K.
卷 3, 编号 2 (2023)	Transformations of the travelogue genre in the essays by A. Ulanov	(Rus)
Zalomkina G.
卷 3, 编号 2 (2023)	Samara within the scope of “The Eighteenth Year” novel by A.N. Tolstoy	(Rus)
Vorontsova G.
卷 3, 编号 2 (2023)	Studying the Russian culture Voronezh text at Voronezh State University	(Rus)
Ternova T.
卷 3, 编号 1 (2023)	Provincial town as a spatial model in the satirical and humorous literature	(Rus)
Golubkov S.
卷 3, 编号 1 (2023)	Internet space in the contemporary drama about teenagers	(Rus)
Kabilova Е.
卷 3, 编号 1 (2023)	Semiotics of the city in the sketches by N. Garin-Mikhailovsky «In the hustle and bustle of the provincial life»	(Rus)
Perepelkin M.
卷 3, 编号 1 (2023)	Mnemonic narrative method in the trilogy by Agota Kristof (“The Notebook”, “The Proof”, “The Third Lie”)	(Rus)
Sundukova K.
卷 2, 编号 4 (2022)	Historicism as an aspect of novel thinking	(Rus)
Zhuravleva О.
卷 2, 编号 4 (2022)	Ilf’s «Zapisnye Knizhki» [Sketch Books] of 1930s as the proof of social realistic discourse formation	(Rus)
Pozdnyakov K.
卷 2, 编号 4 (2022)	Samara the fantastic	(Rus)
Kazarina T.
卷 2, 编号 3 (2022)	Oh brave new world of A.K. Goldebaev	(Rus)
Morozova K.
卷 2, 编号 3 (2022)	S. Lem as a literary theorist: an existentialist underneath the mask of a structuralist	(Rus)
Darenskiy V.
卷 2, 编号 3 (2022)	Semiotic capacity of insanity: thought disorder modelling as a tool for possible text world making (based on texts by S. Lem)	(Rus)
Smerdowa E.
卷 2, 编号 3 (2022)	Poetics of the variant. N.G. Garin-Mikhailovsky’s stories in the Samara periodicals of the 1890s-1900s.	(Rus)
Perepelkin M., Perepelkin I.
卷 2, 编号 2 (2022)	«The collapse» of engineer Garin: N.G. Garin-Mikhailovsky and A.N. Tolstoy	(Rus)
Perepelkin M.
卷 2, 编号 2 (2022)	The dimensional outlook levels of the writer N.G. Garin-Mikhailovsky	(Rus)
Golubkov S.
卷 2, 编号 2 (2022)	“Orchid” by N.G. Garin-Mikhailovsky: features of the playwright’s communicative strategies	(Rus)
Tyutelova L., Ivanova V.
卷 2, 编号 2 (2022)	Published at the expense of N. Garin-Mikhailovsky: R. Zimmerman and his book «Kulak-usury, its socio-economic significance» through the eyes of the publisher	(Rus)
Pelevina O.
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