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期
标题
作者
卷 6, 编号 22 (2020)
Folk and author’s fairy tales in the aspect of linguistic consciousness
Sharandin A., Li Y.
PDF
(Rus)
卷 10, 编号 4 (2024)
Comparison of the verbalization of “heroes” in the author’s tale and the folk tale (based on the tales of P.P. Bazhov “The Malachite Box” and “The Stone Bowl”)
Kormakova S.
PDF
(Rus)
卷 8, 编号 1 (2022)
Transformation of biblical, mythological and folklore models in “Three fairy tales of the winged, three-headed, fire-breathing Serpent” by Radiy Pogodin
Elepova M., Kabanova N.
PDF
(Rus)
卷 8, 编号 2 (2022)
Representation of the concept “Doer” in the translation of Antoine de Saint-Exupery’s “The Little Prince” into German
Ershova N.
PDF
(Rus)
卷 8, 编号 4 (2022)
Features of modeling art space in Sofia Prokofiev’s fairy tale “Kingdom of Seven Lakes”
Elepova M., Kabanova N.
PDF
(Rus)
卷 10, 编号 4 (2024)
The artistic value of the bestseller: the genre art of G. Yakhina’s novel “My Children”
Zang X., Guan Y.
PDF
(Rus)
卷 6, 编号 23 (2020)
To the results of the discussion about the folklore identity of the Kalmyk tale from “The Captain’s Daughter” by A.S. Pushkin
Burykin A.
PDF
(Rus)
卷 3, 编号 4 (2017)
“FAUST” BY A. SOKUROV: CULTURAL PESSIMISM AND DEMYTHOLOGIZATION
Kolchanov V.
PDF
(Rus) PDF
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卷 11, 编号 4 (2025)
Comparative analysis of the “expressions” of the character of the Mistress of the Copper Mountain in P.P. Bazhov’s fairy tale “The Malachite Box” and the actant of the mountain mistress in the Ural folk tale “The Stone Bowl”
Kormakova S.
PDF
(Rus)
卷 11, 编号 3 (2025)
Modern trends in the children’s national cinema development (on the example of fairy-tale films)
Khudoiarov K., Grigorieva E.
PDF
(Rus)
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